Art and a Philosopher's Support for Roman Polanski

Ann Althouse challenges Bernard-Henri Lévy to defend his call for the release of Roman Polanski on philosophical grounds:

Do you assert that an artist ought to receive special treatment? Would an ingenious Nazi deserve to live out his life in peace? What does the special treatment of artists have to do with democracy? Explain what ingeniousness, filmmaking, and democracy have to do with your proposed rule.

Bernard-Henri Lévy, you present yourself as a philosopher. I would like to honor philosophy. Back up your petition with a philosophical argument that we can understand and critique.

IN THE COMMENTS: Peter Hoh said:

So in Bernard-Henri Lévy's world, there are common terrorists. One must presume that some other terrorists are uncommon. Perhaps some are extraordinary. I wonder how one can tell the difference?

Surely, the 9/11 attacks were uncommon. In fact, they were ingenious.

Let's not forget what the German composer Karlheinz Stockhausen said on September 17, 2001:

... Stockhausen... called the attack on the World Trade Center ''the greatest work of art that is possible in the whole cosmos.'' Extending the analogy, he spoke of human minds achieving ''something in one act'' that ''we couldn't even dream of in music,'' in which ''people practice like crazy for 10 years, totally fanatically, for a concert, and then die.'' Just imagine, he added: ''You have people who are so concentrated on one performance, and then 5,000 people are dispatched into eternity, in a single moment. I couldn't do that. In comparison with that, we're nothing as composers.''

So, Bernard-Henri Lévy, by your standard, we should leave Osama Bin Laden alone?

Read the whole thing. Just for the sake of clarity.

Glenn Reynolds:

. . . the real argument is that as one of the creative elite, Polanski is supposed to enjoy a sort of droit du seigneur — but if you come right out and say that, the peasants will get angry.