The Postmodern Cultural Elite

In a piece which echoes s few of the ideas here, VDH identifies what he thinks are characteristics of the "New Aristocracy" of our day:

This ad hoc meditation on cultural elitism was all prompted last week by listening to a poor white tree-trimmer lecture me on the various merits of his three different chain saws, while I was talking on the cell phone with a nasal-voiced, snotty Washington reporter — out here south of Fresno — but, in minutes, to be on the way to work at the antipode at Stanford. . .

The five characteristics he identified:

1) Truth

One requisite to being a cultural elite, unfortunately, is a certain allegiance to untruth, to saying one thing and doing another. . .

In short, money, privilege, and status create in the cultural elite both a fear of mixing it up with others that might jeopardize position and placement, and yet guilt for that very sense of entitlement and exemption. All that, in turn, only heightens the shrill and sanctimonious rhetorical demands on less blessed others to prove their morality.

Barack Obama was a genius in recognizing all this, and at a very early age no less. The subtext of Dreams from My Father, and indeed Obama’s life from 18 to 45, was to allay elite fears, guilt, and suspicions. . . .

2) Nature

The cultural elite class tends to romanticize nature, since it has little contact with it. Energy Secretary Steven Chu cheaply announces that California farms will dry up and blow away, with no clue how the tomatoes in his salad or the lamb chops on his plate are grown, cleaned, shipped — and land in his mouth. . . .

3) Muscularity

An elite is often characterized as staying fit entirely by the workout, the gym, the jog — never by chain sawing, digging, climbing, or hammering. Yet here too arises contradiction. The elite, being largely progressive, champion the muscular classes to the degree they can stay distant from them. . .

4) Gender

. . . Why can’t any of our actors talk like a Humphrey Bogart, Glenn Ford, Lee Marvin, Henry Fonda, James Stewart, Bill Holden, or Gregory Peck? I’m not asking for Jack Palance or Fess Parker, just a normal male mainstream voice. I know there are Al Pacinos and Robert De Niros, but they too seem to fade before the new wave of DiCaprios. Elites talk (and probably sound) like the freedmen in Petronius’s Satyricon

5) Logic There is little logic among the cultural elite, maybe because there is little omnipresent fear of job losses or the absence of money, and so arises a rather comfortable margin to indulge in nonsense. The idea that taxes cause scarcity, and subsidy abundance is a foreign concept. The notion that entitlements create dependency is considered Neanderthal. . . In other words, take a deep breath and imagine the opposite of everything you know by experience to be true, and you have mostly the worldview of the sheltered cultural elite, who navigate in rather protected channels and not in the open seas of the real world.